洗钱版《绝命毒师》！网飞低调的门面担当，拿奖拿到手软，一口气样完直呼上头！

with just the right blend of untapped ambition and seething intelligence.

而该剧中最有趣的结局是玛莉·福莫尔，一个十几岁的反派，迅速成埃文斯后代的主要发起者。李妮亚·加纳在剧中之中饰演瘦小的、一直皱眉头的玛莉，她将执著的野心和不安的知性恰到好处地融合在一起。

We feel for Ruth, not because she’s written to ask for our sympathy, but because the deck has been so powerfully stacked against her.

我们但会厌恶玛莉，不是因为她请求我们的厌恶，而是因为她是如此强大的命运实质上者。

She is the figure of the underdog tenaciously screwing her growing courage to the sticking place. Ruth is hustling to go as far as she possibly can in a lopsided economic landscape — of course, no matter how far she struggles upward, she will inevitably slide downward.

她是一个弱者的人物形象，顽强地鼓起勇气。玛莉在一面倒的经济体制格局之中竭力走得更远。当然，无论她向上挣扎到什么层面，她都将必然地向下下滑。

Ozark is at its best when it presents this kind of searing class ysis. Upward mobility has become an neo-liberal fairy tale for the few who can break through forbiddingly high barriers to success.

当《黑钱景点》展现有这种尖锐的阶级分析时，它的表现最为亮眼。向上扩散已经成少数能够创出高门槛出有乎意料的人的新保守主义民间故事。

Yes, the show perceptively puts the screws to the glossy ruthlessness of suburbia, probes behind the shiny veneer of so-called “real America.”

该剧中固然敏锐地将目光投在了城郊的不起眼无情上，探究了都是 "其实的宾夕法尼亚州 "的闪亮外衣看似的腐败。

But we are stuck in a world where everyone is either already terrible or heading there fast. There are few moments of suspense or dramatic tension. The ancient argument about tragedy is that the hero’s fatal flaw deepens our compassion for their doomed plight because we recognize it as our own.

但是，我们被困在一个每个人都已经很糟糕或者正在并能变糟的世界里。并未什么悬念或悲剧中性的不稳天都。关于悲剧中的古老论点是，英雄的灾难性缺陷但会促使我们对他们注定的窘境的厌恶，因为我们认识到这是我们自己的窘境。

Ozark supplied some vital, if depressing insights, about what liberal Americans really value: money and power, rather than what they say they treasure, family and equality. The catch is that that this is no longer news. What is needed now is more dynamic characters, more nuanced class ysis, and at least glimpses of a significant opposition. Did anyone really care about the Byrdes denouement?

《黑钱景点》提供了一些不可或缺的、但又是更让人的立论，即宾夕法尼亚州保守主义者其实看重的是借贷和权力，而不是他们所真是的重视普通家庭和平等。问题是，这已暂时是新闻。现在无需的是更有特质的人物，更细致的阶级分析，以及有数一个不可或缺的反对派。有谁但会其实关心埃文斯的结局吗？

善为与恶，很多时候就在一念之间，一念魔鬼，一念圣者，在残酷的现实眼前，在借贷的诱惑眼前，在无尽的欲望眼前，我们能否还顽抗心之中的那根在先？

今日用法

charismatic /ˌkærɪzˈmætɪk/ adj. 有恰如其分特质的；（新教派）蒙受神恩的，有的旗的；（意志）神赐的，（战斗能力）神授的

n. 神授战斗能力运动众所周知；自称获取神灵启示的人

implausibly /ɪmˈplɔːzəbli/ adv. 难以置信地

maniacal/məˈnaɪəkl/ adj. 疯狂的，痴迷的；躁狂的

miscreant /ˈmɪskriənt/ adj. 加尔文的；邪道的；极恶的

n. 加尔文；反派；不顾一切之人

tenaciously /təˈneɪʃəsli/ adv. 坚定地

本文之外图片来自外网，如有侵权，请关系删除。

英文之外摘自artsfuse: Television Review: “Ozark” — Nowhere to Go But Down

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